Massachusetts Edited for length and clarity
Jim Pond and Matt Maguy have run JXM together since 2007. The firm is based in Massachusetts, has remained independent, right-sized and obsessively focused on getting outsized results. What follows is a conversation with both founders.
Take me back to 2007. What was the specific thing you saw that made starting JXM feel worth doing rather than staying somewhere else?
MATT: Neither of us came from a fancy advertising background. We weren't trained in the industry the way most people are trained. We were outsiders. Both of us came out of the printing world — we like to say we have ink in our blood. Jim was a strategist in the front office at a print shop. I was an artist running a ten-color press at a different one. For me, there's something about how things get processed in printing that stuck with me. Things happen in layers. Things happen on a specific timeline. And you learn to deal with the back-and-forth of that to keep the presses running. That way of thinking never really left.
JIM: We were both in our late twenties. Both entrepreneurial. Both wanted to build a better life for our families. And we were both drawn to brands with a real sense of purpose — a mission worth being visible for. That was the through-line. We got hooked, and haven't looked back since.
Before JXM, where were each of you, and what were you learning that ended up baked into how the firm works today?
JIM: Sales at a print company. What that teaches you fast is that a small business does not stay in business if the press stops running. Deadlines aren't a concept, they're the whole game. You learn to talk to clients about their business, not about your tools.
MATT: Pre-press and press for me, a separate shop from Jim's. Same lesson from a different vantage point. You learn how work moves through stages. You learn what happens when someone upstream is sloppy, because you're the one holding the ink at the end of it. Both of us learned very early that craft and business live on the same floor. They don't separate the way agencies pretend they do.
Neither of us were quite sure what to make of each other at first.
Every co-founder pairing has an origin story. How did the two of you actually meet?
MATT: We met at a small agency after our printing gigs. Jim was there first. When I came in, he tried to talk the owner out of hiring me — because I had tattoos.
JIM: In my defense, it was a different era in the business. And I've been fully corrupted [chuckles] — I think I have more tattoos than Matt now.
MATT: Something clicked. Neither of us was quite sure what to make of the other at first, but the collaborations started moving forward fast. I had this ability to translate what Jim thought the client actually needed. He was reading the account from the business side, thinking through the structure of what they needed strategically. Then he'd throw the idea at me and say, 'They need a website, they need to say this, we need to get this point across.' I could take that and make it real and really make powerful work for our clients there.
JIM: That's the thing that's held up for nineteen years — we stay in our own lanes. We know what each other's strengths are. We work through them, not against them. That was clear inside the first six months.
The legal entity is "James and Matthew, LTD." That's a very deliberate choice: two first names on the shingle. What does keeping it that way signal?
MATT: We shortened it to JXM in 2021, but 'James and Matthew' is still on the masthead for a reason. It's a nod to working with our clients on a first-name basis and building longstanding partnerships. The signal to a client is that you're going to get the founders. You're going to get the partners. We're not hiding behind a punchy brand name. It's just Jim and Matt. James and Matthew. What you see is what you get, along with our team of partners, employees, and freelancers, who are the X between the J and the M. They sit at the intersection of everything we do.
So I have to ask — what's up with the dodo thing?
JIM: I'll let Matt take this one.
MATT: When we first entered advertising, we noted all these different large agencies and the same logic of using our first names applied — they had all these elaborate crests featuring birds of prey, and we thought it would be funny to make a dodo our mascot — and it just kind of stuck. It's a nod to vigilance, since we all know what happened to that bird. In my own warped world I like to think he's the last surviving one due to his wits and ability to roll with the punches.
'There is no b-team' reads as a positioning line, but it's also an operating constraint that must cost you money. What have you had to turn down to keep it true?
JIM: Honestly, we don't think it costs us money. It saves us money. Everything we do is bespoke, and there's so much relationship-building involved that a founder or a senior person has to kick each engagement off and oversee it. When you try to run this kind of work through juniors, you spend all your margin fixing what went wrong. The 'no b-team' thing isn't a marketing line. It's how we protect our results.
You judge work against four internal standards: effective, intentional, beautiful, and bold. Which of the four does the industry sacrifice most often, and where do you refuse to bend?
MATT: The industry sacrifices bold the most, especially in financial services. But bold, to me, isn't using funky colors or riding whatever trend is in the zeitgeist right now. Bold is sticking to your guns. It's being who your brand is actually supposed to be for the members you're trying to reach. Most of the category doesn't have the conviction for that.
JIM: Where neither of us will bend is intentional. Both of us have a strong dislike for advertising as it usually gets done. When we see poorly targeted work, it genuinely breaks our hearts. There are several ways to get closer to reaching the right people with the right message. The more consumers experience messaging that isn't for them, the more they tune out all messaging. Lazy targeting hurts the entire industry. It wastes money. That's not what we're about.